_____ Practice Areas
Media (film, tv, music, photography, art)
Technology (software, open source)
_____ Education
Yale Law School, Columbia University (magna cum laude, Phi Beta Kappa)
_____ Clerkship
The Hon. Mariana R. Pfaelzer, Central District of California
_____ Teaching
Adjunct Professor, University of Michigan Law School (Film Law)
_____ Contact
paul [at] filmlawgroup.com, +1 415 663 5153
_____ Paul Szynol (/ˈSHinôl/)
I specialize in media (especially film, tv, music, photography, and art) and tech (especially software and open source). For nearly two decades, I’ve concentrated my legal practice on intellectual property matters, and have worked with filmmakers, artists, tech start ups, and tech multinationals. My practice spans the full range of film production (from financing and fair use to licensing and distribution) and a wide spectrum of technology deals (from open source and licensing to services agreements and SaaS). I am especially interested in fair use. After graduating from law school, where I focused on intellectual property and free speech, I was a law clerk to the Hon. Mariana Pfaelzer in the Central District of California. I was also in-house counsel at Bloomberg, and an associate at O’Melveny in San Francisco and Morrison & Foerster in New York City.
I'm also a filmmaker and photographer. I've filmed in the US, Uganda, Poland, and England, and my documentaries have been featured on the New York Times (Op-Docs), the Atlantic, and the New Yorker, and have been shown at festivals internationally, including AFI Docs, Big Sky, Clermont-Ferrand, Doc NYC, Palm Springs, Slamdance, and Toronto Int’l Film Festival (Kids). My short doc "A Peaceful Place" was a Tribeca If/Then finalist. Some of my photos have been exhibited in the US and Europe, including ICP in New York City and the Leica Gallery in Warsaw. In addition to shooting my own films, I also sometimes work as a cinematographer for other projects (e.g., Nanfu Wang's In the Same Breath) and occasionally help with production (e.g., Susan Sandler's Julia Scotti: Funny That Way). My film and photo website is at Itchy Dog Films.
I was born in Warsaw, Poland, and moved to NYC at the age of 12, the year that the city’s transit fare rose from 75 cents to 90 cents; 33 previously unknown Bach pieces were found in an academic library; and Canon demoed its first digital still camera. Besides New York City and Warsaw, I’ve lived in San Francisco, Los Angeles, Berkeley, Ann Arbor, Alexandria (VA), New Haven, Philadelphia, NJ, DC, and, for shorter periods, Kampala and Berlin. I’ve driven across the US six seven times, and I’ve visited the vast majority of the contiguous states, and, by train, plane or automobile, I’ve also visited some 45 50 55 60 countries. I like stray dogs, fair use, old jazz LPs, depressing movies, trains, Greene and Kundera, Uganda, open source software, the Oxford comma, and occasionally translating Polish poetry to English. In the past, I played loud drums with loud bands in a bunch of loud places, including CBGBs. I also started coding in 7th grade, and I'm still a huge nerd an occasional software developer.
_____ Legal Panels/Lectures
American Documentary Film Festival, Brooklyn Documentary Club, Brooklyn Film Festival Exchange, Camden International Film Festival, Doc NYC, Documentary Association of Europe, Filmshop, Hot Springs Documentary Film Festival, New School, NYU Tisch, Palm Springs International ShortFest Forum, Tribeca Film Institute, UCLA, Video Consortium
_____ Festival Programmer
Slamdance Film Festival (Doc Features and Narrative Shorts)
_____ Film Panels
American Documentary Film Festival, Big Sky Documentary Film Festival
_____ Publications
Fuzzy Boundaries: The Potential Impact of Vague Secondary Liability Doctrines on Technology Innovation in The Next Digital Decade: Essays on the Future of the Internet (2010).